History: Central Asia, 140 Years Ago

At the crossroads of Asia, shamanistic practices live alongside Buddhism. Thus, Yama, Lord of Death, was revered in Tibet as a spiritual guardian and judge. Mongolian Buddhism, in particular, was influenced by Tibetan Buddhism. The Qianlong Emperor of China in the 18th century was Tibetan Buddhist and would sometimes travel from Beijing to other cities for personal religious worship.
Central Asia also has an indigenous form of improvisational oral poetry that is over 1000 years old. It is principally practiced in Kyrgyzstan and Kazakhstan by akyns, lyrical improvisationists. They engage in lyrical battles, the aitysh or the alym sabak. The tradition arose out of early bardic oral historians. They are usually accompanied by a stringed instrument—in Kyrgyzstan, a three-stringed komuz, and in Kazakhstan, a similar two-stringed instrument, the dombra.
Photography in Central Asia began to develop after 1882, when a Russian Mennonite photographer named Wilhelm Penner moved to the Khanate of Khiva during the Mennonite migration to Central Asia led by Claas Epp, Jr.. Upon his arrival to Khanate of Khiva, Penner shared his photography skills with a local student Khudaybergen Divanov, who later became the founder of the Uzbek photography.
Some also learn to sing the Manas, Kyrgyzstan's epic poem (those who learn the Manas exclusively but do not improvise are called manaschis). During Soviet rule, akyn performance was co-opted by the authorities and subsequently declined in popularity. With the fall of the Soviet Union, it has enjoyed a resurgence, although akyns still do use their art to campaign for political candidates. A 2005 Washington Post article proposed a similarity between the improvisational art of akyns and modern freestyle rap performed in the West.