Volcanic Pipe, Yakutia, Russia

• Cinema, animation and media
Russian and later Soviet cinema was a hotbed of invention in the period immediately following the 1917, resulting in world-renown films such as The Battleship Potemkin by Sergei Eisenstein. Eisenstein was a student of filmmaker and theorist Lev Kuleshov, who developed the Soviet montage theory of film editing at the world's first film school, the All-Union Institute of Cinematography. Dziga Vertov, whose kino-glaz (“film-eye”) theory—that the camera, like the human eye, is best used to explore real life—had a huge impact on the development of documentary film making and cinema realism. The subsequent state policy of socialist realism somewhat limited creativity, however many Soviet films in this style were artistically successful, like Chapaev, The Cranes Are Flying, and Ballad of a Soldier.
1960s and 1970s saw a greater variety of artistic styles in the Soviet cinema. Eldar Ryazanov's and Leonid Gaidai's comedies of that time were immensely popular, with many of the catch phrases still in use today. In 1961–68 Sergey Bondarchuk directed an Oscar-winning film adaptation of Leo Tolstoy's epic War and Peace, which was the most expensive film ever made. In 1969, Vladimir Motyl's White Sun of the Desert was released, a very popular film in a genre of ostern; the film is traditionally watched by cosmonauts before any trip into space.
Russian animation dates back to the late Russian Empire times. During Soviet era, Soyuzmultfilm studio was the largest animation producer. Soviet animators developed a great variety of pioneering techniques and aesthetic styles, with prominent directors including Ivan Ivanov-Vano, Fyodor Khitruk and Aleksandr Tatarsky. Many Soviet cartoon heroes, such as the Russian-style Winnie-the-Pooh, cute little Cheburashka, Wolf and Hare from Nu, Pogodi! are iconic images in Russia and many surrounding countries.