Landscape Photography By Neil Joules

During the 1920s and 1930s, attempts were made to construct methodologies that made landscape the essential if not exclusive task of geography. This stemmed from Sauer's view that the role of geography was to systematically examine the "phenomenology of landscape". Sauer viewed landscapes broadly as areas comprising distinct associations of forms, both physical and natural, and regarded landscape study as tracing the development of natural landscapes into cultural landscapes.
By the 1940s, this emphasis had passed as geographers found that the difficulties associated with reconstructing the past were forbidding and at odds with their primary concern with the present world. The concept of a natural landscape became increasingly questioned with knowledge of human impact on the environment. More recent geographers have addressed the subjective attributes of a place within humanistic geography thus crossing the bridge between the objective and the subjective assessment of an area.
The popular conception of the landscape that is reflected in dictionaries conveys a particular and a general meaning; the particular referring to an area of the Earth's surface and the general meaning being that which can be seen by an observer.
With greater attention to the environmental perception by psychologists over recent decades, landscape is regarded as the raw material with which to study human perceptions and human information processing. Thus Daniels & Cosgrove defined landscape, not in physical terms but as an outward expression of human perception: "a landscape is a cultural image, a pictorial way of representing, structuring or symbolising surroundings." Meinig combined the physical and the psychological: "any landscape is composed not only of what lies before our eyes but what lies within our heads.".