Volcanic Pipe, Yakutia, Russia

In the mid-19th century the Peredvizhniki (Wanderers) group of artists broke with the Academy and initiated a school of art liberated from academic restrictions. These were mostly realist painters who captured Russian identity in landscapes of wide rivers, forests, and birch clearings, as well as vigorous genre scenes and robust portraits of their contemporaries. Some artists focused on depicting dramatic moments in Russian history, while others turned to social criticism, showing the conditions of the poor and caricaturing authority; critical realism flourished under the reign of Alexander II. Leading realists include Ivan Shishkin, Arkhip Kuindzhi, Ivan Kramskoi, Vasily Polenov, Isaac Levitan, Vasily Surikov, Viktor Vasnetsov, Ilya Repin and Boris Kustodiev.
The turn of the 20th century saw the rise of symbolist painting, represented by Mikhail Vrubel, Kuzma Petrov-Vodkin and Nicholas Roerich.
The Russian avant-garde was a large, influential wave of modernist art that flourished in Russia from approximately 1890 to 1930. The term covers many separate, but inextricably related, art movements that occurred at the time; namely neo-primitivism, suprematism, constructivism, rayonism, and Russian Futurism. Notable artists from this era include El Lissitzky, Kazimir Malevich, Wassily Kandinsky, and Marc Chagall. Since 1930s the revolutionary ideas of the avant-garde clashed with the newly emerged conservative direction of socialist realism.
Soviet art produced works that were furiously patriotic and anti-fascist during and after the Great Patriotic War. Multiple war memorials, marked by a great restrained solemnity, were built throughout the country. Soviet artists often combined innovation with socialist realism, notably the sculptors Vera Mukhina, Yevgeny Vuchetich and Ernst Neizvestny.